Hannah Lamb is a textile artist, lecturer and author, based at her home studio in Bingley, West Yorkshire. She works with a range of textile processes, including stitch, print and fabric manipulation, creating textile artworks from an intimate scale to larger installation works.

An interest in textile archives and local textile industry has led to recent research projects and exhibitions with Salts Mill, Bradford Textile Archive, Sunny Bank Mills, 509 Arts and The Brontë Parsonage Museum.

Hannah's first solo book, Poetic Cloth; Creating Meaning in Textile Art, was published by Batsford in 2019.

Hannah Lamb gained a BA (Hons.) Embroidery (2001) and MA Textiles (2010) from Manchester Metropolitan University. She has lectured in textiles at Bradford School of Art (Bradford College) since 2004, where she is currently Programme Leader for Textiles. Hannah exhibits nationally and internationally and is an exhibiting member of the 62 Group of Textile Artists.

selected exhibitions


Lost Mills & Ghost Mansions, Saltaire Arts Trail, Salts Mill, Saltaire, West Yorkshire.

Tailored, The 62 Group of Textile Artists at HUB, Sleaford, Lincolnshire.


Tailored, The 62 Group of Textile Artists at Sunny Bank Mills, Farsley, West Yorkshire.


Essence: the 62 Group at 60 at The Knitting & Stitching Show, Alexandra Palace and Harrogate Convention Centre.

Fragment of a Dress, Brontë Parsonage Museum, Haworth, West Yorkshire.


Connected Cloth: Exploring the Global Nature of Textiles, The 62 Group of Textile Artists for The British Textile Biennial at The Whitaker, Rossendale, Lancashire.

Home/Work at The Knitting & Stitching Show, Alexandra Palace, London and Harrogate Convention Centre.


CONSTRUCT, The 62 Group of Textile Artists at Sunny Bank Mills, Farsley, West Yorkshire.

2018 - 2020

CTRL/Shift, The 62 Group of Textile Artists at MAC, Birmingham; National Centre for Craft & Design,  Sleaford; 20-21 Visual Arts Centre and Scunthorpe Central (touring).

Clocking Off, Sunny Bank Mills gallery, Farsley, Leeds, West Yorkshire.


Making Space, The 62 Group of Textile Artists at The Silk Museum, Macclesfield; The Knitting & Stitching Show, London and Edinburgh (touring).

Made in the Middle ’30 (online) Craftspace. http://madeinthemiddle.org/30-years-30-makers-2/makers.html


Material Evidence, Sunny Bank Mills gallery, Farsley, Leeds, West Yorkshire.

62 Group: NOW!, The 62 Group of Textile Artists at Upfront Gallery, Cumbria.

Pinpoint II, One Church Street Gallery, Great Missenden, Buckinghamshire.

Pick & Mix; Artists responding to the Bradford Textile Archive, The Dye House Gallery, Bradford.


Ebb & Flow, The 62 Group of Textile Artists at The Fishing Heritage Centre, Grimsby, Lincolnshire.

Spectrum, Unit Twelve, Stafford.


In Search of Green, The Bowery, Headingley, Leeds (solo exhibition).

Pinpoint, One Church Street Gallery, Great Missenden, Buckinghamshire.


Arts Council England - Developing Your Creative Practice award, 2021.

Arts Council Yorkshire, - Grants for the Arts, 2004.

BBC Homes & Antiques - Talent Around Britain (shortlisted), 2004.

West Midlands Arts - Creative Ambitions Award, 2002.

Crafts Council - Next Move, 2002-2004.


A Cloth for the Lost Mills - 2024

Commissioned by 509 Arts as part of the Bradford-based Lost Mills & Ghost Mansions, arts and heritage project.

A Textile Portrait of Bradford - 2023

A seed commission from Bradford 2025, UK City of Culture.

Fragment of a Dress - 2022

An interactive textile artwork for Brontë Parsonage Museum, developed to coincide with costume exhibition 'Defying Expectations: Inside Charlotte Bronte's Wardrobe'.

Lasting Impressions - 2016 & 2017

A collaborative and publicly engaged site specific work with Claire Wellesley-Smith at Salts Mill, commissioned by Saltaire Inspired for Saltaire Arts Trail.

Linear Mapping - 2014-15

Installation work for ‘Pinpoint II’ exhibition. Commissioned by One Church Street Gallery, Buckinghamshire.


'Poetic Cloth: Creating Meaning in Textile Art' - Batsford, 2019.

'Lasting Impressions' with Claire Wellesley-Smith - Stitch, Print, Weave Press, 2018.

Work also in:

Textiles Transformed by Mandy Patullo. Batsford, 2020.

Ctrl/Shift: New Directions in Textile Art, Liz Cooper & Sue Stone (Eds.). England: The 62 Group of Textile Artists, 2019.

Textile Folk Art by Anne Kelly. Batsford, 2018.

Cyanotypes on Fabric by Ruth Brown. SC Publications, 2016.

Slow Stitch by Claire Wellesley-Smith. Batsford, 2015.

Natural Processes in Textile Art by Alice Fox. Batsford, 2015.


Embroidery 'Meet the 62 Group of Textile Artists' Jan/Feb 2024.

TextileArtist.org 'Hannah Lamb: Finding Meaning in Textile Art' by Anna Black, 2023.

Yorkshire Post 'Show Tailor-Made for Success', 22nd May 2023.

Selvedge blog Fragments of a Dress: Visitor Stories 22 April 2023.

Embroidery 'The Memory of Cloth', Sept/Oct 2022.

Selvedge blog Fragment of a Dress  16 Oct. 2022

Yorkshire Post 'Interview with textile artist Hannah Lamb about her Fragments of a Dress installation at Bronte Parsonage Museum', by Yvette Huddleston, 19th Sep 2022.

Embroidery 'Material Matters; Blue Dye Thinking' by June Hill. March/April 2022.

Yorkshire Post 'My Yorkshire' (weekend supplement) 30 Oct. 2021.

Embroidery 'Embroidery Loves' Nov/Dec 2021.

Hole & Corner blog British Textiles Biennial - a tour with Rue Pigalle Oct 2021.

Selvedge blog 'Poetic Cloth: Interview with Hannah Lamb' Oct 08, 2021.

Obscura Magazine  'The Poetic Cloth' by Toby Crispy. Sept. 2020.

Embroidery 'Construct' (exhibition review) by June Hill. Nov./Dec. 2019.

Embroidery 'Time & Place' by June Hill. Sept/Oct 2019.

Embroidery ‘Out of the Blue’ by June Hill. Nov/Dec 2015 (p.10 - 15).

TextileArtist.org (interview) ‘A kind of gentle presence’ by Sam Pitcher

Using Format