about

Hannah Lamb is a textile artist, lecturer and author, with a studio in Saltaire, West Yorkshire. Her creative practice focusses on recording a sense of place through careful observation and material investigation. She works with a range of textile processes, including stitch, print and fabric manipulation, creating textile artworks from an intimate scale to larger installation works.

An interest in textile archives and local textile industry has led to recent research projects and exhibitions with Salts Mill, Bradford Textile Archive, Sunny Bank Mills and Bradford School of Art.

Hannah's first solo book, Poetic Cloth; Creating Meaning in Textile Art, is published by Batsford (2019).

Hannah Lamb gained a BA (Hons.) Embroidery (2001) and MA Textiles (2010) from Manchester Metropolitan University. She has lectured in embroidery and design at Bradford School of Art since 2004, where she is currently Programme Leader for Textiles & Surface Design. Hannah exhibits nationally and internationally and is an exhibiting member of the 62 Group of Textile Artists.


selected exhibitions

2019

'CONSTRUCT', The 62 Group of Textile Artists at Sunny Bank Mills, Farsley, West Yorkshire.

2018 - 2019

‘CTRL/Shift’, The 62 Group of Textile Artists at Midland Arts Centre. Then touring from Feb.2019, National Centre for Craft & Design, Sleaford, and 20-21 Visual Arts Centre and Normanby Hall, Scunthorpe (2019 - 2020).

‘Clocking Off’, Sunny Bank Mills gallery, Farsley, Nr Leeds, West Yorkshire.

2016-17

‘Making Space’, The 62 Group of Textile Artists at The Silk Museum, Macclesfield (2016), then touring to The Knitting & Stitching Show, London and Edinburgh (2017).

‘Made in the Middle ’30’ (online) Craftspace. http://madeinthemiddle.org/30-years-30-makers-2/makers.html

2015

‘Material Evidence’, Sunny Bank Mills gallery, Farsley, Nr. Leeds, West Yorkshire.

’62 Group: NOW!’, The 62 Group of Textile Artists at Upfront Gallery, Cumbria.

‘Pinpoint II’, One Church Street Gallery, Great Missenden, Buckinghamshire.

‘Pick & Mix’ artists responding to the Bradford Textile Archive, The Dye House Gallery, Bradford College, Bradford.

2014

'Ebb & Flow', The 62 Group of Textile Artists at The Fishing Heritage Centre, Grimsby, E. Lincs.

'Spectrum', Unit Twelve, Stafford.

2013

‘In Search of Green’, The Bowery, Headingley, Leeds (Solo exhibition).

‘Pinpoint’, One Church Street Gallery, Great Missenden, Buckinghamshire.

‘Experiments in Light & Landscape’, Yorkshire Craft Centre, Bradford.

2011

‘Crossing the Boundaries’, Bradford College at Ikas Art - III International Encounter of University Art - Barakaldo, Bilbao, Spain.



commissions

'Lasting Impressions: Cloth Taxonomies', May 2017

A collaborative and publicly engaged site specific work with Claire Wellesley-Smith at Salts Mill, commissioned by Saltaire Inspired for Saltaire Arts Trail.


'Lasting Impressions', May 2016

A collaborative performative work with Claire Wellesley-Smith at Salts Mill commissioned by Saltaire Inspired for Saltaire Arts Trail.


'Linear Mapping', 2014-15

Installation work for ‘Pinpoint II’ exhibition. Commissioned by One Church Street Gallery, Buckinghamshire.



publications


'Poetic Cloth: Creating Meaning in Textile Art' Batsford, 2019.

'Lasting Impressions' with Claire Wellesley-Smith. Stitch, Print, Weave Press, 2018.


Work also in:

'Textile Folk Art' by Anne Kelly. Batsford, 2018.

'Cyanotypes on Fabric' by Ruth Brown. SC Publications, 2016.

'Slow Stitch' by Claire Wellesley-Smith. Batsford, 2015.

'Natural Processes in Textile Art' by Alice Fox. Batsford, 2015.


press

Embroidery 'Time & Place' by June Hill. Sept/Oct 2019.

Embroidery ‘Out of the Blue’ by June Hill. Nov/Dec 2015 (p.10 - 15).

TextileArtist.org (interview) ‘A kind of gentle presence’ by Sam Pitcher


Using Format